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Author
Woodard, SamReaders/Advisors
Swainston, RobTerm and Year
Spring 2020Date Published
2020
Metadata
Show full item recordAbstract
The comfort of textiles and working with fibers comes from its materiality, the familiar experience of surface texture. By collaging different surfaces we gain new experience and feeling from the contrast of neighboring materials. Focusing on objects that are found in domestic settings such as quilts and curtains, and removing the functionality from them transforms them from objecthood to image, then back to object-hood. Working with various existing archives such as the digitized Cooper Hewitt Collection and recontextualizing textiles through the lense of printmaking, we can discuss what is worth remembering and what is deemed insignificant. However, we can choose what we give importance to, including the things in our everyday lives. I am taking items associated with the home such as quilts and reforming them into abstract depictions of comfort. Using documentation of process and archives as tools, we can explore the role of comfort in craft.Accessibility Statement
Purchase College - State University of New York (PC) is committed to ensuring that people with disabilities have an opportunity equal to that of their nondisabled peers to participate in the College's programs, benefits, and services, including those delivered through electronic and information technology. If you encounter an access barrier with a specific item and have a remediation request, please contact lib.ir@purchase.edu.Collections