Grief and Loss in James O’Barr’s The Crow
| dc.contributor.author | CARECCIA, Gabrielle | |
| dc.date.accessioned | 2023-10-31T19:42:09Z | |
| dc.date.available | 2023-10-31T19:42:09Z | |
| dc.date.issued | 2020 | |
| dc.identifier.uri | http://hdl.handle.net/20.500.12648/13476 | |
| dc.description.abstract | Christianity is generally opposed to violent revenge. Surprisingly, then, James O’Barr’s The Crow portrays its protagonist Eric Draven as a Christ-figure whose grief over the loss of his fiancé Shelley fuels his thirst for violent revenge. O’Barr, who was raised Catholic, composed The Crow after losing his girlfriend in a drunk driving accident. This project argues that O’Barr writes The Crow to work through his own grief. He channels his fantasies of revenge into a fictional scenario in which Christianity is not opposed to violent revenge. The Crow is O’Barr’s tool for enacting his desire to alleviate his grief through revenge while remaining in a Christian universe. | |
| dc.subject | First Reader Paul J. Megna | |
| dc.subject | Senior Project | |
| dc.subject | Semester Spring 2020 | |
| dc.title | Grief and Loss in James O’Barr’s The Crow | |
| dc.type | Senior Project | |
| refterms.dateFOA | 2023-10-31T19:42:09Z | |
| dc.description.institution | Purchase College SUNY | |
| dc.description.department | Literature | |
| dc.description.degreelevel | Bachelor of Arts | |
| dc.description.advisor | Megna, Paul J. | |
| dc.date.semester | Spring 2020 | |
| dc.accessibility.statement | Purchase College - State University of New York (PC) is committed to ensuring that people with disabilities have an opportunity equal to that of their nondisabled peers to participate in the College's programs, benefits, and services, including those delivered through electronic and information technology. If you encounter an access barrier with a specific item and have a remediation request, please contact lib.ir@purchase.edu. |
