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Author
CARECCIA, GabrielleReaders/Advisors
Megna, Paul J.Term and Year
Spring 2020Date Published
2020
Metadata
Show full item recordAbstract
Christianity is generally opposed to violent revenge. Surprisingly, then, James O’Barr’s The Crow portrays its protagonist Eric Draven as a Christ-figure whose grief over the loss of his fiancé Shelley fuels his thirst for violent revenge. O’Barr, who was raised Catholic, composed The Crow after losing his girlfriend in a drunk driving accident. This project argues that O’Barr writes The Crow to work through his own grief. He channels his fantasies of revenge into a fictional scenario in which Christianity is not opposed to violent revenge. The Crow is O’Barr’s tool for enacting his desire to alleviate his grief through revenge while remaining in a Christian universe.Accessibility Statement
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