The Vision and The Gaze in Agnes Pelton and Forrest Bess' Symbolism
dc.contributor.author | Kim, Christine | |
dc.date.accessioned | 2023-08-14T17:11:48Z | |
dc.date.available | 2023-08-14T17:11:48Z | |
dc.date.issued | 2022 | |
dc.identifier.uri | http://hdl.handle.net/20.500.12648/12022 | |
dc.description.abstract | Agnes Pelton and Forrest Bess are two American painters who, at first, may not draw an obvious connection. Yet, striking formal similarities in their work suggest a congruous response to the larger cultural and psychological shifts of an era preoccupied with new frontiers of thought and vision. It is key to examine the metaphysical and spiritual questions in their work in dialogue with the changing landscape of medical knowledge and scientific discoveries at the start of the 20th century. The simultaneous climb of psychoanalysis and revolutionary technologies, such as the microscope, photography, and radiography, is crucial to understanding the symbolic dichotomies of surface and depth in Pelton and Bess' visionary paintings. | |
dc.subject | First Reader Jonah G. Westerman | |
dc.subject | Masters Thesis | |
dc.subject | Semester Spring 2022 | |
dc.title | The Vision and The Gaze in Agnes Pelton and Forrest Bess' Symbolism | |
dc.type | Masters Thesis | |
refterms.dateFOA | 2023-08-14T17:11:48Z | |
dc.description.institution | Purchase College SUNY | |
dc.description.department | Art History | |
dc.description.degreelevel | Master of Arts | |
dc.description.advisor | Westerman, Jonah G. | |
dc.date.semester | Spring 2022 | |
dc.accessibility.statement | Purchase College - State University of New York (PC) is committed to ensuring that people with disabilities have an opportunity equal to that of their nondisabled peers to participate in the College's programs, benefits, and services, including those delivered through electronic and information technology. If you encounter an access barrier with a specific item and have a remediation request, please contact lib.ir@purchase.edu. |