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dc.contributor.authorSommer, Johanna
dc.date.accessioned2023-08-14T16:07:20Z
dc.date.available2023-08-14T16:07:20Z
dc.date.issued2023
dc.identifier.urihttp://hdl.handle.net/20.500.12648/11633
dc.description.abstractThis text seeks to make a connection between the now-debunked diagnosis of hysteria on women writers of the 20th century with the reductive labeling of female singer-songwriters as “sad girls” in contemporary culture. These subjects expose a cycle that occurs for many women artists, and really any non- white-cis-male artists for that matter, in which emotional expression can become an all-consuming marketed trait, causing these artists to be defined by their suffering, and in turn giving new cause for its renewal.
dc.subjectFirst Reader Virginia M. Breen
dc.subjectSenior Project
dc.subjectSemester Spring 2023
dc.titleBut You Look So Pretty When You Smile: 20th Century Hysteria and its Legacy in “Sad Girl Indie”
dc.typeSenior Project
refterms.dateFOA2023-08-14T16:07:20Z
dc.description.institutionPurchase College SUNY
dc.description.departmentJournalism
dc.description.degreelevelBachelor of Arts
dc.description.advisorBreen, Virginia M.
dc.date.semesterSpring 2023
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