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dc.contributor.authorSchmitt, Michael H.
dc.date.accessioned2023-08-14T14:56:41Z
dc.date.available2023-08-14T14:56:41Z
dc.date.issued2020
dc.identifier.urihttp://hdl.handle.net/20.500.12648/11172
dc.description.abstractThrough a careful analysis of O'Hara's life, both in the years leading up to his move to New York City in 1951, and in the 15 years in which he lived in the city, this paper seeks to explore how O'Hara's life influenced his poetry. From the myriad of artists that he befriended during his years in NYC to his position as a curator at MOMA, O'Hara's abundant 15 years were reflected in the wide range of poems that he wrote. By looking at a few of those poems, one can begin to understand how O'Hara viewed poetry's relation to the world. O'Hara's poetry was, and still is, two-sided in how it interacts with a reader, for O'Hara balances a fine line between a serious intimacy and a casual aloofness.
dc.subjectFirst Reader Lisa Keller
dc.subjectSenior Project
dc.subjectSemester Fall 2020
dc.title"Emptying The World So We Can Be Alone:" Connection and Isolation in the Poetry of Frank O'Hara
dc.typeSenior Project
refterms.dateFOA2023-08-14T14:56:41Z
dc.description.institutionPurchase College SUNY
dc.description.departmentHistory
dc.description.degreelevelBachelor of Arts
dc.description.advisorKeller, Lisa
dc.date.semesterFall 2020
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