Modern Cabinet of Curiosities: The Continued Human Interest in the Macabre and How Museums Can Respond

Abstract

In the Victorian era, the act of collecting objects that were representative of foreign cultures became a common practice for those with the wherewithal to travel. This practice evolved over time to involve objects that were macabre or different, leading the way for the modern freak show style of circus. In the modern age, this has been removed, except for in a museum setting. This research uses surveys to gauge the reactions of ninety-nine college-age subjects to the display of human remains in museums, as well as possible suggestions for more ethical display. The research reveals a general neutral feeling about the display of remains in various forms. Respondent suggestions involve the addition of consent from living relatives and information about the deceased. The research raises questions about possible bias and prior knowledge among the subjects. Further research is needed to create a more comprehensive view of the reactions of museum visitors to the display of human remains.