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Readers/Advisors
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2014-10-16
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Abstract
The funeral elegy of the English Renaissance has great onomastic interest; as a literary genre it is primarily an eponymous poem whose hero is the dead person being celebrated. The name, moreover, figures in the poet's attempt to participate in a triadic process whereby as the body is buried in the ground the soul progresses toward heaven and the name of the dead subject is immortalized.
