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2021-08
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Wang_Thesis .pdf
Adobe PDF, 3.62 MB
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Abstract
Depictions of ceramic objects in European and American oil paintings are
appropriated onto porcelain forms that look like stretched canvases. I explore the
relationship between east and west through re-interpretation of western artifacts based
on my own projection without permission. Collectively, they are an obnoxious attempt to
insert my identity into a history that had already identified and fetishized “me”. My
identity retold in sculptural forms are grand, inflated, boastful, and full of insecurity.
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