Loading...
Journal Title
Readers/Advisors
Zarzosa Parcero, Agustin
Journal Title
Term and Year
Fall 2024
Publication Date
2024
Book Title
Publication Volume
Publication Issue
Publication Begin
Publication End
Number of pages
Collections
Files
Loading...
8823_Zachary_Shippee.pdf
Adobe PDF, 449.8 KB
Research Projects
Organizational Units
Journal Issue
Abstract
This paper explores the relationship between the cinema and the political concept of the spectacle. The spectacle characterizes a society of passivity, social and psychological alienation, reality's absorption into representation, and capitalist acceleration. In the spectacle's early development, the cinema, in its mainstreams, was the art form most commensurate to the spectacle's ends. Moviegoers gather to submit to moving images that in some ways portray a world more convincing than lived reality itself. But as the spectacle has evolved to fit into our pockets, as media has become more immersive, interactive, and socially isolating, how has its relationship to cinema changed? As the project guided by the myth of "total cinema" is taken up by video games and virtual reality experiences, how do spectators relate differently to cinematic images? This paper argues that today the cinema today is a place to slow down, not to speed up; it can facilitate a shared artistic experience distinct from the individuated ones of streaming television and social media. Perhaps it can even be a space where spectators antagonize the unconscious qualities of their spectatorship.
Citation
DOI
Description
Accessibility Statement
Purchase College - State University of New York (PC) is committed to ensuring that people with disabilities have an opportunity equal to that of their nondisabled peers to participate in the College's programs, benefits, and services, including those delivered through electronic and information technology. If you encounter an access barrier with a specific item and have a remediation request, please contact lib.ir@purchase.edu.